Popular Nollywood actress, Eucharia Anunobi has come out to share who really is an offspring of satan.

She recently revealed that anyone who loves money so much without a care of whose ox is gored is the child of the devil himself.

According to her, adoring money to the point of clamouring for it without caring about hurting others makes one the twin of Judas Iscariot and the offspring of the evil one.

She then added that praising evil people because of the financial rewards you will get makes us anything but a child of God.

Her words, “Loving money to the point of clamouring for it without a care whose ox is gored makes you the twin of Judas Isacariot and the offspring of satan !
Knowing a person is unworthy of a position , or has serious character flaws that they are not making effort to rectify yet because of the money you’re getting from them , you sing their praises : that makes you what ?
You also know that a person deserves to be remunerated better but because of your greed for money, you deny them of their dues : that makes you what ??
Sorry, did you say , YOU’RE A CHILD OF GOD ??? Aaaaah you’re not !!!
Matthew 6 : 24 , Luke 6 : 13”

What do you think?

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.