Priscilla Ojo Laments Recurring Pattern To Ruin Iyabo Ojo’s Plans

Iyabo Ojo and her daughter

The daughter of Nollywood actress Iyabo Ojo, Priscilla Ojo, has spoken out following the series of controversies trailing her mother. She recently had her say via a lengthy post on her Instagram page, and fans have been reacting.

Noting that it has been controversy back-to-back since her mother announced her latest movie, she stressed that there is a clear pattern aimed at ruining Iyabo’s plans.

Priscilla added that her mother’s new film will sell because God is stronger than man.

Her words, “Always misunderstood, always blamed!! even when she’s not the one in the mix. Since Arinzo’s announcement, can’t you see the pattern? A lot of drama back-to-back, just for one aim: ruin her plans, but God’s stronger than man. And this movie will sell in Jesus’ name!

When she’s quiet, they twist the story!!!! When she speaks, they get angry about the truth and still twist the story!

All in all, a good heart’ll always win. The return of Arinzo’s already a masterpiece 🎬, and no matter how they gather, if the gathering isn’t of God, they’ll fail. Didn’t you see the magnitude of people who showed up for the movie premiere? If she were a bad person, do you think people would show up and support her? Exactly, that shows how she shows up and supports people.

Lastly, if you look at everything clearly, you’ll see that most of the time she gets dragged is because she’s always fighting people’s battles offline + online, but when it’s time for them to fight for her, what happens is they go mute.
Hmmm life.
iyaboojofespris YOUR FANS AND JPS LOVE YOU! Never change who you are, tho, and continue being you. I guess that’s why God keeps blessing you. Truth’ll reveal itself eventually, and as for Arinzo!! IT WILL SELL! APRIL 3RD WE ARE COMING OUT IN FULL FORCE! No distractions.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.