“Respect Boundaries With Olakunle Churchill” – Ossai Ovie Success To Tonto Dikeh

Former political aide Ossai Ovie Success has blasted Tonto Dikeh for hugging her ex-husband, Olakunle Churchill. He recently had his say via his Instagram page, and Nigerians have been reacting.

According to him, Tonto’s behaviour was disappointing because she should have considered Rosy Meurer and her feelings before hugging her husband like that.

Ossai then admonished the moviestar to respect boundaries, especially when it comes to people’s marriages.

His words, “Tonto Dikeh hugging her ex-husband, Olakunle Churchill, like this is disappointing

I’m really disappointed in Tonto Dikeh’s behaviour, hugging her ex-husband Olakunle Churchill like that, especially knowing he’s married now.

She should’ve considered his wife, Rosy Meurer, and how she’d feel seeing that display of affection.

It’s not right, and I think it’s unfair to Rosy.

Tonto Dikeh should respect boundaries, especially when it comes to someone else’s marriage.

It’s disappointing to see, and I don’t think it’s a good look for her.

Does she want to destroy her ex-husband’s marriage? This doesn’t make any sense to me because I am disappointed.

A woman shouldn’t be doing this to her fellow woman.

I am highly disappointed.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.