Gratitude Isn’t Enough To Thank God For His Blessings – Judy Austin

Judy Austin

Nollywood actress and Yul Edochie’s wife, Judy Austin, has come out to count her blessings. She recently had her say via her Instagram page, and fans have been reacting.

Revealing that she has been wondering what she’s doing to attract God’s blessings, Judy thanked her Creator for being so good to her and her family.

The moviestar added that God will always be faithful to those who consistently believe in Him.

Her words, “I’ve just been wondering what’s so special about me that God is blessing me this much
I don’t think GRATITUDE is enough to thank God at this point because how is he so so good to me this much?

I’m just here to brag about God to y’all!!!
You see, God is truly faithful to those who believe in him totally!!!!!!!!!
Oh, he’s so so good to me!!!!
Chim, Ekenem.
Mmuo nine na ejelu igbo ozi, ekenem
Spirit of my Ancestors and my Guardian Angels, Ekenem!!!
Thank you, ABBA Father, for everything you’ve been doing for my family and me.
May your Name be praised forever in our lives, Amen.

I’m just grateful to God for all my blessings
If you love me, thank God on my behalf.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.