She recently flaunted a photo of her husband and their son, Ire, and Nigerians have been reacting.
According to her, she cannot thank him enough for loving her so purely and devotedly, and she can only wish him long life and prosperity.
Toyin Abraham added that she loves Kolawole Ajeyemi with all of her, and she is grateful for the love he has shown in return.
Her words, “Happy Birthday, ?k? mi! Thank you so much for loving me so purely and devotedly. As you celebrate the beginning of a new year today, I wish you long life and prosperity. Orí ni ??, óò ní d’ìrù lágbára ?l??run. Happy Birthday, Kolawole olówó orí mi. I love you so much!”
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Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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