She recently had her say via her social media page, and Nigerians have been reacting.
According to her, even if she believes death and marriage are all part of our destiny as human beings, she is fully aware that God has not forgotten her.
Fati added that if God wills that she will get married, no one on earth can stop His wish from happening.
Her words, “The question which I’m most tired of, and which people often use against me, is when I’m getting married.”
“And I’ve always thought that death and marriage are all about one’s destiny. I believe that God hasn’t forgotten about me.”
“If God wills that I’ll get married, I will. And if He wills that I’ll return to him unmarried, nobody can marry me off. That’s how God works.”
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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