I’m Grateful For The London Success Of My Stage Play – Odunlade Adekola

Odunlade Adekola

Nollywood actor Odunlade Adekola has expressed appreciation to fans and colleagues following the London performances of his stage play “No Wahala Therapy.” He recently had his say via his Instagram page after the show’s outing in the United Kingdom.

Thanking his fans across the globe for constantly supporting his project, he prayed that God would bless the work of their hands.

The moviestar concluded by hailing stars like Timini, Ronke Oshodi and Mofe Duncan for doing a great job as the cast of the film.

His words, “I want to say a very big thank you for the special love you have for your son, ODUNLADE ADEKOLA.
E o ni sise se o, lagbara Olorun 🙏
To all the team and cast of (No Wahala Therapy)
@_timini @bammybestowed @ronkeoshodioke @theladymotara @mofeduncan
I really appreciate you so much.
God will bless you more.
Your glory will not depart from you, in Jesus’ name 🙏
MR and MRS KOLAWOLE LAMIKANRA @m54studios
God will bless you beyond your expectations, in Jesus’ name. No Wahala Therapy was a great success 💪
Our Director @mofeduncan
Congratulations on this project — take your flowers 💐🌺
God will crown all your efforts 💪
Mr KOLAWOLE LAMIKANRA … Visionary Master
Our great LONDON family can’t wait for another powerful stage play from @m54studios 👌
KO NI BAJE FUN WA O Amin”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.