She recently revealed that her estranged fiancee is only being childish and craving for attention.
According to her, they had issues, and now they are truly over, but he was the cause of their fight, not her.
Cossy added that she will allow him to enjoy his minutes of fame for the time being, as everything will be forgotten in no time.
Her words, “He is childish. And needed attention. We had issues. I told him to leave my house since Tuesday. I was surprised to see he posted that so we are truly over.”
”I really don’t know if i bit him. We had a fight. I really don’t want to talk about this… I did not bite him. He is being very childish and enjoying his minutes of fame.
“He started it so he can continue to tell people what happened that lead to the fight.”
What do you think?
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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