She recently revealed this on her social media page, and Nigerians have been reacting.
According to her, she never met him physically when he was alive, but she is grateful to have met his spirit because he catered to the poor while he lived.
Jaiye added that the deceased definitely had a good soul, and she hopes he’ll rest in perfect peace.
Her words, “I have never met you one on one but your spirit visited me when you died.”
“I was in Offa alone in my room. My head was swollen and I saw a gentle pass of Him. There was something good about that soul.”
“Christ was poor but feeding the people and taking care of everyone. You did same to many. I know 2 people who truly gave their lives to Christ through Him. May the Good lord rest your soul in peace. Pastor T.B. Joshua.”
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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