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Ritual Killings By Yahoo Boys Has To Stop – Okon Lagos

Okon Lagos

Okon Lagos

Popular Nollywood actor, Okon Lagos has come out to urge Nigerians to pay attention to the upbringing of the boy-child.

He recently had his say via his social media page, and Nigerians have been reacting.

According to him, he is currently tired of hearing about small boys cutting off female parts just to make headway in life.

Okon Lagos added that the increasing ritual killings of young women by Yahoo boys has to stop.

His words, “Back in the days, money ritualists were older me. Very older men. They have this look, aura and presence that when they appear, you will hear comments like ‘this one looks like a ritualist’.”

“Today, it is different. Small, Kpingili, kekere, tiny boys are everywhere plucking off eyes and body parts from young women just to drive Benz. Sad. Fix the Boy Child please.”

“Let’s fix the boy child and do it ASAP. It’s a shorter route to decriminalizing and putting an end to most societal vices in our fast decaying society. Let’s put a central and foundational end to all these k**lings of young girls by these Benz driving Wannabe boys. Happy Sunday.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.


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