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Anita Joseph And Her Husband Should Be More Mature With Their Marriage – Uche Maduagwu

Uche Maduagwu

Uche Maduagwu

Nollywood actor, Uche Maduagwu has come out to blast Anita Joseph and her husband on social media.

This is coming after the actress shared a video of her husband grabbing her breast, kissing it, and then burying his face between her cleavage.

Reacting, Uche simply wrote that both of them should stop acting like children and they should apply small maturity with whatever they put out online.

Uche added that what they did is an unnecessary display of affection in public, and it was a bad post.

His words, ”Please what MORAL lesson is this unnecessary display of affection in public teaching our kids? Jesus wept Na understatement, this is alien to our culture in Nigeria, is this also for clout? Marriage is honorable in God’s sight, squeezing the sleeping Olympus as if you no pay bride price. it is shameful and repulsively preposterous, how do you want your father in-law to feel after seeing this video on social media, even if you paid 30 billion for her bride price, this is just so unacceptable, a man is the head of the home, Oga where is that in this?”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.


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