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Be Selfish With Your Space And Boundaries – Tonto Dikeh

Tonto Dikeh

Tonto Dikeh

Nollywood actress, Tonto Dikeh has come out to share some of the things she has learnt in her thirty-eight years on earth.

She recently had her say via her social media page, and fans have been reacting.

According to her, people should never tell their family or friends everything as it will always end up backfiring in the nearest future.

Tonto added that finding closure is also a scam, so it is always better to move on and rebuild oneself.

Her words, “Things I have learnt in 38years

-Never tell your family everything, it will back fire.

-Never tell your friends everything, it will back fire.

-Never tell anyone how much you have in the bank, that’s for you and the bank alone.

-DONT BE TOO NICE, not everyone has your heart.Be a GOOD PERSON BUT NOT A TOO NICE PERSON.

-No one is like you, Embrace your uniqueness..

-Show yourself as much love as you can!!

-Be selfish with your Space, Boundaries, Love and Trust.

-Multiple streams of income is the new SELF LOVE, SELFCARE AND BIGGEST BOSS MOVE.

-No matter how little start something that brings daily income

-Fixed deposits is the biggest scam, next time ask your bank you want to invest with them and watch your self become a billionaire

-Finding closure is a scam,Move on and Rebuild. Be your own motivation to be better and do better.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.



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