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Don’t React If You Don’t Know Why I’m Angry With The Driver Who Wrecked My Car – Adesua Etomi

Adesua Etomi

Adesua Etomi

Nollywood actress, Adesua Etomi has come out to reply a Twitter user who cautioned her for being angry that her driver wrecked her car.

Recall that the movie star recently tweeted this, “Every time I remember that the driver wrecked my car, I’m upset all over again. Not even 3yrs since I bought it.”

Reacting, the user wrote, “What if you did that your self will you be angry with your self,it can happen to anybody know matter how careful you are,put your self in that same shoe,money come and go we all know that,i don’t pray for your downfall,more blessing come your way Ade.”

Adesua responded, “You don’t have a right to send me this kind of reply ESPECIALLY because you don’t know the circumstances of the accident.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.



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