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I Have To Keep Trying Marriage Till I Am Successful – Funke Akindele

Funke Akindele & JJC

Funke Akindele & JJC

Popular Nollywood actress, Funke Akindele has come out to share the details of her divorce from her previous spouse, JJC Skillz.

She recently had her say while speaking on Wazobia FM, and fans have been reacting.

According to her, she does not see their divorce as another failure she has to be mocked for because it is important to keep trying till she is successful.

Funke added that she has to stay strong for her children and siblings while inspiring many young Nigerians out there.

Her words, “If you don’t fail, you can’t be successful. You have to keep trying. Like when a child is trying to walk, the child will walk small and just fall off. So it’s normal for you to fall but you just have to pick yourself and rise again.

For me, I see failure, I see challenges, I see obstacles, as part of life. My mum raised me like that. My mum will say if you do not fail, if you do not fall, you cannot succeed. So you have to keep going. And note, I do not even see the failures.

If you ask me now can you tell me one failure, I don’t see it as a failure. My personal life – marriage, I just take it as it comes. My mental health is very important. My career is very important, darling. I have to make an impact. I have to empower a lot of people. I have to inspire young people out there. I have to stay strong for my children and my siblings. Why am I living? I have a purpose, so my head is up. Yes I cry, yes I break down, but after I cry, I just look in the mirror and say “Keep moving.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.



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