Home » Celebrity News » I’m In Debt, I’m A Celebrity Who Worries About Her Survival – Tonto Dikeh

I’m In Debt, I’m A Celebrity Who Worries About Her Survival – Tonto Dikeh

Tonto Dikeh

Tonto Dikeh

Nollywood actress, Tonto Dikeh has come out to say that she has lost 2000 birds and 1500 fish this month.

The movie star recently revealed that she currently has debts and still worries about her survival.

According to her, she recently made a decision to focus on herself and happiness because that is what is most important right now.

Tonto Dikeh added that she has businesses at its infant stage, chopping money that it’s not bringing in yet, so her life is far from perfect.

Her words, “You see right my love, wahala no Dey finish but I choose to Love myself more than worrying and stressing!!! “Nov alone I have lost over 2,000birds and 1,500 fish(I own a farm, sis if I calculate the money I will not smile again oo. I have debtsssssssssSSS, I have businesses at its infant stage sapping money that it’s not bringing in yet, I have a foundation(I’m constantly worrying about how to survive and survive the less privileged too. “Sis forget I have wahala but e no go be like bicycle for where we Dey. Truth is I CHOOSE ME.”

What do you think?

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.


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