He recently shared the praises via his social media page, and Nigerians have been reacting.
According to him, Mama Rainbow deserves to be hailed for her contributions in the movie industry and he loves the fact that she keeps looking younger.
Baba Ijesha added that the moviestar is also loving, kind and generous, and she is the mother of all successful children in the industry.
His words, ”Phillip nìy?n. MAMA RAINBOW ..Maami looking like under 20 at 80s. Sweet 16 mother, Live begins at 40. Mama to gbaskii perfect for all role. Always pleasant. Loving, kind and generous. Mother of all successful children in the industry, iya oloriire, alalubarika. Help me to celebrate this epitome of beauty.”
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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