Home » Celebrity News » My Wife And I Have Decided To Part Ways After A Decade Of Marriage – Moses Inwang

My Wife And I Have Decided To Part Ways After A Decade Of Marriage – Moses Inwang

Moses Inwang and Emem Udonquak

Moses Inwang and Emem Udonquak

Nollywood filmmaker, Moses Inwang and his wife, Emem have parted ways after almost 10 years of marriage.

Moses recently announced their separation on his Instagram page, and fans have been reacting.

According to him, it was a very difficult but necessary decision in their lives, and they both believe it is the best path forward for their individual happiness and personal growth.

Moses added that fans should show understanding and respect for their privacy at this trying time.

His words, “Happy new year family friends and fans. Today, I wanted to share some personal news that has been a difficult but necessary decision in my life.

After much reflection and discussion, Emem and I have decided to part ways after about 10 years of marriage. While this is undoubtedly a challenging time for both of us, we believe it is the best path forward for our individual happiness and personal growth.

As we navigate this new chapter, we kindly request your understanding and respect for our privacy. While we may be parting ways as partners, we remain committed to maintaining a positive and healthy co-parenting relationship for the well-being of our boys.

Thanks for the love and support.

Moses Inwang.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.



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