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No One Can Kill Me Until God Says It’s My Time – Iyabo Ojo



Nollywood actress, Iyabo Ojo has come out to react to an elderly man defending Baba Ijesha while tarnishing her image in a new clip.

In the video, the man called Iyabo Ojo a prostitute while wishing death on her for standing for the girl child, and Nigerians have been reacting.

Also reacting, Iyabo Ojo has said that Baba Ijesha and his chief supporter, Yomi Fabiyi are behind these threats and they are plotting evil against her.

Iyabo added that their evil will not succeed because no one can kill her unless God says so.


Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.

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