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Walking Away From A Marriage That Isn’t Working Is Better Than Hurting Your Partner – Yul Edochie

Yul Edochie

Yul Edochie

Nollywood actor, Yul Edochie has come out to say that one can marry as much as fifty times while in pursuit of a partner that completes them.

He recently had his say via his social media page, and fans have been reacting.

According to him, marriage should not be a do or die affair for anyone, and that people should know when to walk away when it is no longer working.

Yul added that it is better to walk away quietly as early as possible, than to hurt each other in the end.

His words, “Marriage is not a do or die thing. No! It could work. If you see it’s not working, walk away. Respectfully. You don’t have to hurt each other, you don’t have to…Once you walk away and you see the next person you want to marry, marry. If it doesn’t work again, go. See another one again, marry. You can marry fifty times. You can’t control how people react towards you. What makes me happy is different from what makes is going to make you happy and do not let anyone tell you do this and it will be good for you. No! Find out what works for you. And if you decide in this life that you will not marry till you die, please don’t marry. Be happy.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.



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