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I Love My Creative Control As A Producer – Uche Jombo

Uche Jombo

Uche Jombo

Nollywood actress Uche Jombo has opened up about her transition into movie production. She recently had her say during an interview with Potpourri, and fans have been reacting.

Revealing that she no longer waits for opportunities but creates them, Jombo disclosed that being a producer has given her greater creative control over the kinds of roles she plays.

The moviestar added that filmmaking has fundamentally shifted how she engages with acting and storytelling.

Her words, “I wish I knew, actually, but I always say to my fellow filmmakers, tell your story. I think if we continue telling stories that are authentically ours, we are moving in the right direction. That’s just it, tell our stories.

No, now, I give myself roles. Any role I want to play, I’ll give it to myself. That’s the power of being a producer.

I love what I do; it’s stressful sometimes, but it’s the love, the passion that keeps me going. Once in a while, I sit down and ask myself how I want to proceed to the next phase of my career. It happens when you have been here for almost 30 years. I’ve been doing this since I was 17. So, you have to do that to keep yourself inspired; it’s just part of it.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.

NaijaVibe

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