Blessing Obasi Did Justice To Her Role In “Blood Sisters” – Stan Nze

Stan Nze and Blessing Obasi

Stan Nze and Blessing Obasi

Nollywood actor Stan Nze is celebrating his wife, Blessing Obasi, over her performance in Mo Abudu’s “Blood Sisters.” Recall that Obasi has been receiving praise and great reviews following the premiere, and fans have been reacting.

Taking to his Instagram page to hail his wife, Stan revealed that he couldn’t even recognise his wife on screen.

Stressing that he thought she had been in prison before, the moviestar appreciated Obasi for putting in the work to make the project a success.

His words, “Can we take a moment to celebrate the gift @blessingjessicaobasi

My precious Jewel.
Lolo 1 of the whole Nzerian Kingdom of
My Love, you did justice and more to Mimi. What?!
I didn’t recognise the lady I saw on that screen. If I didn’t know you, I would have thought you had been to prison before. My goodness.

Thank you, baby, for putting in the work to be intentional and for sacrificing so that the world could experience premium entertainment.
Thank you. I pray that this opens even greater doors for you and that more people would come to realise the great gift you are.
Take all your flowers.
In fact, scratch that. Take the entire garden.
You deserve it all.
Guys, if you haven’t seen BLOOD SISTERS yet, do yourself a favour and do so this weekend. Except, of course, you don’t mind spoilers.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.