He recently had his say via his social media page, and Nigerians have been reacting.
According to him, in any moment of anger, lovers should learn to focus on what got them angry without bringing up the threat of initiating a breakup.
He added that no relationship is without its ups and downs, and people should not be deceived into thinking otherwise.
His words, “No matter how upset you are, don’t threaten your partner with a break up unless you mean it. Focus your anger on what they’ve done without bringing up the threat of a break up. No relationship is without its ups and downs. Don’t let anyone deceive you. You will quarrel and you will fight. You will have sad days; you will disagree some days and not find a common ground over some issues. Compromises don’t always happen. These are normal things in a healthy relationship.”
“The key to a lasting relationship is being with someone you can actually communicate your feelings to and have a solutions-based approach towards conversations; someone who doesn’t just communicates, but reciprocates the energy you give to them. Someone who always bares their mind and accumulate pent-up anger. Someone who forgives easily and reverts to their default factory mode of playing and laughing. This is the key.”
“Good morning beloved fans.”
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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