Mbong tied the knot with her new man this past weekend, and Nigerians have been reacting.
Flaunting photos from her wedding, she wrote, “Surprise! I’m married!
Everything I have EVER dreamt of, God has done. Wow…such a bold statement and dare I say that my life is truly complete!”
“Being drenched in so much love, and surrounded by my closest pals as I celebrated my nuptials this past weekend felt so incredible. God has blessed me with the best of everything. My husband, family, friends, those who couldn’t make it but still sent their love, vendors who worked tirelessly to make my day soooo special and of course everyone who made huge sacrifices to witness this day, I’m super grateful!”
“Thankyou! Thankyou!! Thankyou!!!”
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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