She recently revealed this in an interview with the press, and Nigerians have been reacting.
According to her, she will go for Okocha because she knows him enough to conclude that he will only dribble on the pitch, not dribble her in their marriage.
She added that her father really loved football when he was alive, and top Nigerian footballers used to visit them from time to time at their family house.
Her words, “It is a tough question but I will go with Jay-Jay because I know him and we relate well He will not dribble me inside the house. Dribbling is for the field.”
“My father loved football, national team players used to come to the house: Kanu, Okocha and a whole lot of people.”
What do you think?
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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