She recently revealed that it is very important for people to learn how to not misuse their privileges.
According to her, as soon as someone misses an opportunity, it is unwise to begin to blame witches and wizards.
She then prayed for her followers to receive wisdom and have their mind transformed and renewed to treasure privileges.
Her words, “NEVER MISUSE PRIVILEGES! Because when the door gets shut in your face, It might never be opened again. Then you start blaming witches and wizards. May you receive wisdom and have your mind transformed and renewed, to treasure privileges! May you not shoot yourself in the leg in Jesus powerful name.”
What do you think?
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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