He recently had his say via his social media page, and Nigerians have been reacting.
According to him, his woman is the most important person in his life and the person he loves the most, followed by his children, then his mother.
Kolawole added that being married to a good wife would always lead to progress in a man’s life.
His words, “My wife is the one thing I love the most, though I also love my kids and my mother. Aside from God, my wife makes me happy. If one has a good wife or husband, the person does not know how much God has blessed one.”
“If one gets married to someone that is not meant for one, there are bound to be problems. That does not mean me and my wife don’t have disagreements. No relationship is perfect. The individuals involved just learn to tolerate one another. If one gets married to a good wife, one would make progress in life.”
“May God help those looking for life partners to choose right. People say a wife must not be richer than her husband but if God has destined one person to be richer than the other, one is good to go.”
“The most important thing is that they support each other. Having love for one another is the most important thing.”
“Our leaders would treat us better if they love us. The Bible says, ‘Love your neighbour as yourself.”
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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